I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug

I did not process the RAW nor the images that were nearly dark. I did not post-process the remaining images other than to downsize (from the jpeg, via Lightroom) to 86% quality, 2048 pixels on the long side & 240 pixels per inch. Most of the images were shot by Maurice. I shot image 3770. The beginning camera settings were: Sony α7Rm3 + 24-105mm f/4 @ ??mm, ISO 400, 1/100, f/8.0, manual, matrix metering, face recognition on. Lighting was ambient + a Neewer 6x5” soft box modifier attached to a Godox TT685s speedlight attached to the left side of the camera via a Crazefoto 6.3” straight bracket. The speedlight was fired by a Godox X1T-s transmitter in the camera hot shoe. My shot had the transmitter in TTL mode. Maurice was mostly using manual. The last settings on my transmitter were M ¼ power +0.7 stop. If we had dropped the shutter speed to 1/60 or less & opened up the aperture we would gained a lot more room detail. I think some of Maurice’s last shots were w/o flash.Doug